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Publications
| Down Survey | 2002
Issue Contents
A
Good Yarn: A brief look at the use of synthetic fibres in fashion
Madeleine McAllister
As part of its major temporary exhibition in
2002, Down County Museum was able to display several items from
its costume collection, showing the range of clothing worn by women
from the 1950s to the millennium. These clothes were worn at a time
when fashions changed with increasing rapidity, and new and innovative
synthetic materials were being introduced. Many of the garmen
ts in the museum's collection show how the new fibres were used
by the fashion
industry.
Fig 1: (top) Two polyester tops DCM
2001-350 and 351, 1970's. The bright colours are very characteristic.
(bottom) pair of nylons DCM 2001-70 and a petticoat DCM 2001-230,
1950's
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Fig 2: Black, blue and dark red check dress DCM 2003-54, 1985
abd red and cream print dress DCM 2003-40, 1990's Versatile
viscose has been used to give the appearance of wool crepe
(left) or cotton lawn (right)
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From the earliest times fibres from the natural
world, such as wool, cotton, silk and linen had been used to make
clothes and other textiles. However, with the development of synthetic
polymers in the latter half of the twentieth century new fibres
and materials were introduced to the world of clothes and fashion.
During the economic boom of the Fifties and
Sixties massive funds were poured into the research, development
and production of synthetic materials for a wide range of uses,
including the textile industry. The same boom produced a market
of comparatively wealthy young people, hungry for cheap, fashionable
and easily maintained clothes. The new synthetic fibres were often
used as cheap replacements for the more expensive natural fibres,
though with varying degrees of success. Many of the textiles and
fibres described below were made and processed in Northern Ireland,
in an industry which employed thousands of people.

Fig 3: Sweater in
acrylic yarn DCM 2001-259, 1950's. This example has a trim of gold
metallic yarn.
Nylon was the first truly synthetic fibre,
and was first produced commercially in the USA in 1939. Although
nylon stockings were available in the LTK during World War Two,
production of nylon for clothing did not really start until after
the war. Designers soon realised that its low cost and easy laundering
properties made it an excellent replacement for silk, and nylon
was soon being used for petticoats and other underwear as well as
stockings. It had the added advantage of being able to be dyed cheaply
with fast, bright colours (Fig 1, bottom). Sadly nylon was not quite
the miracle fibre that it was hoped it would be. 'Dripdry' nylon
shirts were produced, which could be washed, put on a hanger, allowed
to drip dry and worn again without ironing. Unfortunately, the property
of nylon that allowed it to be 'drip-dry' also prevented perspiration
from being carried away from the body of the wearer and resulted
in a very uncomfortable 'body-feel', particularly in hot weather!
Despite this, nylon has become one of the most important synthetic
fibres in use today.
Polyester has been produced in the UK since
1955, and is familiar to us as 'Terylene', 'Crimplene' and in combination
with other fibres such as cotton. Polyester has the advantage of
being able to be produced as a smooth, worsted type yarn or as a
bulkier, softer yarn. It is very hard wearing, and can be dyed and
printed in extremely bright, fast colours; in fact a new type of
dye had to be developed for the dyeing of polyester (Fig I, top).
As 'Terylene', polyester soon became a cheaper and hard wearing
alternative to worsted wool yarn and was used, for example, in men's
and women's suiting. Like other synthetic yarns, polyester had the
disadvantage of a cold, almost unpleasant 'handle', and to counteract
this manufacturers produced 'Crimplene', where the fibre was 'bulked
up' as part of the manufacturing process. The easy wash and wear
characteristics of 'Crimplene' made it very popular, particularly
for children's wear, for many years, but the problems of handle
were never really solved, and 'Crimplene' has declined in popularity.
The cheap and hard wearing properties of polyester have been exploited
by combining it with other less robust and more expensive fibres
such as cotton, linen and wool.
Acrylic yarn is produced under several names,
'Acrilan' and 'Orlon' are well known. Acrylic yarn was intended
as a synthetic replacement for wool, and like other synthetic yarns
combined durability with low cost. Several attempts were made to
overcome the problem of poor 'handle', among these being the 'Atoz'
system developed in the 1970s by McCleery and L' aime Yarns of Saintfield,
for which the company was awarded the Queen's Award for Industry.
As with other synthetics, acrylic yarn is now frequently combined
with other fibres.
As a fibre, viscose is rather hard to classify,
as it is produced like a polymer, or synthetic fibre, from cellulose,
a natural material derived from wood. This hybrid nature gives it
a few advantages over both natural and synthetic fibres. It is cheap
to produce and has a pleasant handle. It is easy to care for and
hard wearing. However, its chief advantage is that it can be produced
with different yarn finishes to imitate, for example, the fine,
smooth qualities of silk or the bulkier, softer feel of fine wool
crepe. It is often used in combination with other fibres.

Fig 4:Skirt DCM 2003-44,
top DCM 2003-45 and aerobics suit DCM 2003-39/1, all 1990s. The
use of Lycra has expanded from sports wear to all types of clothing
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fashion world in the Fifties and Sixties, spandex revolutionised
fashion in the Eighties and Nineties. Elastomers or elastic
polymers had been in use for many years, and were used chiefly
in elastic trimmings and in stretch underwear and swimwear.
However, a combination of factors occurring in the mid-Eighties
made spandex, known as 'Lycra', a huge success. One of these
factors was a surge of interest in exercise and physical fitness,
exemplified by the thousands who took up aerobics, jogging and
so on. The fashion industry soon realised that many of those
taking part were young women who would want comfortable, fashionable
clothes to wear, which were as unlike school sports uniform
as possible! At the same time, dress rules, which had been becoming
more and more relaxed since the war, made it possible for these
bright, comfortable sports clothes to be used as casual everyday
wear. Another factor was that manufacturing technology made
possible the production of an elastomer (Lycra) which was durable
and easy to combine with other fabrics. The stage was then set
for an explosion in the use of 'Lycra' in almost all types of
clothing, from baby clothes to men's formal suits (Fig 4). It
is interesting to note that this fortuitous combination has
almost achieved that Holy Grail of the fashion industry, the
non-wrinkle suit. |
Fig 5: PVC coat
DCM 1994-385, 1960s. The snakeskin effect has been achieved
by printing and texturising the fabric
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The use of synthetics in fashion has not been
confined to fibres, other materials are often used. Various methods
of waterproofing fabric have been used over the centuries, including
wax, oil and rubber. These had the drawbacks of being smelly, dirty
and not very durable. PVC was developed in 1930, and in its flexible
form enabled fabric to be covered with a waterproof layer which
was cheap, clean and long lasting. To the joy of the fashion industry
it could also be brightly coloured, printed with a pattern, texturised
to give a shiny surface or a raised pattern, or even used without
a fabric backing to give a completely see-through garment! This
fitted in well with the 'space-age' trend of the Sixties, and fashion
designers used this exciting material to produce coats, dresses,
boots and shoes, the more daring of which were transparent. In common
with other synthetics, PVC was used to imitate a natural material,
often leather or other animal skin (Fig S). Like other synthetics,
PVC had its teething problems; there were reports of PVC coats cracking
as the material stiffened at low temperatures, and they certainly
became very stiff and uncomfortable in cold weather.
When synthetic fibres were first produced it
was widely thought that they would eventually supplant 'old-fashioned'
natural fibres. However time and experience has shown that both
natural and synthetic fibres have their advantages, and are often
at their best when used in combination.
Madeleine McAllister is Assistant Keeper
of Collections at Down County Museum.
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