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Publications
| Down Survey | 2001
Issue Contents
A
Robe of the Order of St Patrick
Noreen Cunningham
and Madeleine McAllister
The Robe of the Order of St Patrick is one
of Newry Museum's most prized possessions and one of the few robes
of its kind on permanent display in Ireland. In October 1999 it
was noted that the weight of the breast star was pulling the fabric
of the mantle downwards. Grant-aid was secured from the Northern
Ireland Museums Council, and Madeleine McAllister subsequently carried
out conservation work on the robe in February 2000.

The Robes of the Order of Saint Patrick
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Established by George III in 1783, the
Order of St Patrick was the State Order of Ireland. It was
granted as a reward for services to the government in Ireland
and was a prestigious feature of Anglo-Irish society. Membership
of the Order was restricted to the Irish Peerage and at no
time did the Order's Membership exceed 40 knights. Elevation
to the Order was on the death of a Knight, and there was usually
more than one candidate waiting to fill the post. With the
establishment of the Irish Free State in 1922 the Order went
into a state of abeyance. The last knight was Prince Henry,
Duke of Gloucester (Earl of Ulster) who died in 1974.
Richard Needham donated the Robes to
Newry Museum1 in 1989 in recognition
of his family's longstanding connection with the Newry and
Mourne area. He is the 6th Earl of Kilmorey, the seventeenth
Viscount Kilmorey, and the fifth Viscount Newry and Mourne,
although he does not use his peerage.2
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The Needham association with Newry began with
the death of Nicholas Bagenal in 1712. This marked the end of the
Bagenal dynasty that for over one hundred and fifty years had ruled
the town of Newry. The iirst Nicholas Bagenal, who became Marshall
of the Army in Ireland by 1547, was granted 'The Newreye' in 1550
for a period of 21 years. In that year a document was drawn up granting
him the lands formerly owned by Newry's Cistercian Abbey and all
civil authority and rights previously exercised by the monks. By
these means Nicholas Bagenal became Hereditary Abbot of the Exempt
Jurisdiction of Newry and Mourne, a title that has passed down the
centuries to the Needhams. Nicholas is credited with improving Newry
as a town3, and in 1578 built St Patrick's
Church, the first purpose-built Protestant church in Ireland. He
died in 1590 and was buried in this church; contemporary accounts
relate that his funeral was an impressive spectacle with between
three and four thousand people present. The Bagenal plaque, with
his name and coat of arms, is situated in the porch of St Patrick's
Church.4
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The last Nicholas Bagenal is credited
with rebuilding Newry from the ruins of the 1689 fire. When
he died in 1712 without male issue, his estates and wealth
were willed jointly to Edward Bayley (or Baylie) and to Robert
Nedham. Their exact relationship to him is uncertain5
but they were probably either cousins or son-in-laws or given
the marriage customs of the time - possibly both.
The 3rd Earl of Kilmorey pictured wearing
the Robes (photo courtesy Newry Museum)
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Initially the property was jointly held, but
in 1715 it was divided between the two heirs. Edward Bayley took
the lands on the western side of Carlingford Lough, County Louth
and Robert Nedham retained the rest, including the old lordships
of Newry and Mourne, incorporating the town of Newry. Robert Nedham
did much to make the town prosper, building quays and warehouses,
and by the middle of the 18th century Newry was one of the busiest
ports in Ireland. In 1806 William Nedham died leaving no immediate
family, apart from a nephew who in some way had displeased him.
In what some have called a 'whimsical' act he willed his estate
to a distant cousin, Robert Needham, Viscount Kilmorey, of Shavington,
in Shropshire. William Needham was the direct descendant of a younger
brother of the first Viscount Robert (created Viscount Kilmorey
in 1625) to whose direct descendant Robert the tenth Viscount, William,
left his estates 6
The new Needhams lost no time in involving themselves in the political
affairs of Newry. The Viscount's brother and heir, the Honourable
Francis Needham, opposed Isaac Corry in the general elections of
1806, and emerged from the contest as the MP for the borough. When
Parliament was dissolved the following year Needham retained his
seat, and he served as MP until 1818. With the death of his brother
in 1818, Francis inherited the Viscountcy and in 1822 he was created
Viscount Newry and Mourne and Earl of Kilmorey (I). It is these
Needhams from whom the last owner of the Robe of the Order of St
Patrick descends.
Francis Charles Needham, 3rd Earl of Kilmorey,
was born in London on 2 August 1842 to Francis Jack Needham and
Anne Amelia. Educated at Eton and Harrow, his interests were 'many
and varied'.7
As a young man he had fought on the Northern or Union side during
the American Civil War, he had travelled widely in the 'Colonies',
and his hobbies included hunting on his Irish estates, sport and
drama.
He became High Sheriff for County Down in 1871,
a Conservative MP for Newry from 1871 to 1874 and a representative
peer for Ireland in 1881. The distinction of becoming a Knight of
the Order of St Patrick was a much-coveted honour and the 3rd Earl
was nominated for the Order on the 22 April 1890 and invested on
the 24 May 1890.8
The Earl was strongly opposed to Gladstone's Home Rule Bill and
with other members of his family was involved in the foundation
of the South Down Ulster Volunteer Force in 1912.9
He died in London in 1915 and was buried at Kilkeel, County Down.
The Needhams re-entered Newry politics in September
1985 with the appointment of Richard Needham as Minister of the
Environment at the Northern Ireland Office. As Minister he had a
wide remit including Transport, Trade and Industry, Health and Social
Security, and had direct responsibility for Newry and Mourne District
Council.
No doubt this was a nostalgic return to an
area where he had family ties and to which he has title. It was
during this period that Mr Needham donated his greatgrandfather's
Robes of Che Order of St Patrick, which he had recently inherited.
That the Robes were deposited in Newry and Mourne Museum is in no
small way due to the persuasive powers of the then Chairman of the
Newry and Mourne District Council, Mr Eugene Markey.10
At the official presentation of the Regalia
Mr Needham said that it would 'have been quite impossible to have
the robes there were it not for the generosity of the Anleys and
Goughs with whom he shared a great grandfather. They had allowed
him to have the robes and to present them to the Museum.11
The Regalia donated consisted of a silk mantle
and cordon, a vestigial hood and a mantle star. The Order colours
are 'sky-blue' and the star has the arms of the Order and is attached
at breast level to the left-hand side of the mantle. The star has
a red saltire on a white background; superimposed on this is a green
shamrock with a crown on each of the three leaves, and encircled
with a blue riband which has the lettering QUIS SEPARABIT (who shall
separate) and the date of the Order MDCCLXXXIII. On the reverse
of the star is a piece of paper with the Earl's name and maker's
name Robinson and Steel of 11 Dawson Street, Dublin and the date
May/2/1890. Included with the donation is a photograph of the 3rd
Earl of Kilmorey wearing the regalia, also a tin box, which held
the robes. A pair of blue velvet slippers, embroidered with a Viscount
Coronet and the letters N&M (Newry & Mourne), personally
owned by Richard Needham, were also donated.
The mantle and star, as the Knight purchased
them, were his property. The Collar and badge of the Knight, as
featured in the photograph, were purchased by the Treasury and were
returned when a Knight died.
Noreen Cunningham
The conservation and display of the Mantle
and Star of a Knight of
the Order of St Patrick
The mantle is made from pale blue-green grosgrain
silk, fully lined with ivory silk. The trimmings are of the same
materials. It measures 153.4 cm front neck to hem, and 170 cm back
neck to hem, the excess length being formed into a train. The cordon
is approximately 410 cm long and made of blue silk and gold thread,
with large tassels of the same materials. The mantle star is 24.1
cm point to point. It is made of silverplated copper, with the central
coat of arms in coloured enamels.
The mantle and star are generally in good condition.
The colour of the mantle has faded slightly, notably on the shoulders
and arms. The hood and its heavy trimmings had been incomectly attached
at some time, placing strain on the right shoulder of the mantle
and distorting the shape of the hood. The ribbon trim on the left
shoulder had also become disarranged. The cordon with large tassels,
used to close the mantle, was in good condition if somewhat worn.
It was apparent that the weight of the silverplated star had caused
some damage to the fabric of the mantle, probably while in use.
The silverplate on the star was slightly tarnished
and worn in places, probably by over-enthusiastic cleaning in the
past. There was a residue of powder type silver polish lodged in
the decorative surfaces.
The main consideration in the conservation
and display of the mantle and star was the prevention of any further
damage to the mantle by the star. While it would have been possible
to display them separately, it was felt that this would destroy
their integrity, and that their display should conform as closely
as possible to the accompanying photograph of the 3rd Earl of Kilmorey
wearing the robes. In use, the star was attached to the robe by
passing tape through small loops on the back of the four largest
rays, then through eyelets let into the mantle and tying off inside
the lining of the mantle. This meant that the full weight of the
star was supported by the fabric on the left side of the mantle,
considerably affecting the 'hang' of the fabric and causing wear
and eventual tearing of the fabric.
It was intended to display the mantle on a
male mannequin torso, and it was preferable that the weight of the
star should be carried by this, rather than the mantle. This could
most easily be done by suspending the star in situ from the shoulders
and neck of the mannequin underneath the mantle with conservation
grade cotton tape, using white cotton thread to attach the tape
through the lining to the loops on the star. The hood was detached
to remove the rusting pins which had previously been used, and reattached
to the mantle with white cotton thread, using the photograph as
a guide to its correct positioning. It was felt that the weight
of the hood and its ornate trimmings could also cause problems,
so they were supported by a similar arrangement to the insignia.
The heavy cordon was also supported at the neck by attachment to
cotton tape.
The silverplating on the star would have been
damaged further by the use of polish or other cleaners, so polish
residues were removed as much as possible with a Groomstick nonabrasive
absorbtive cleaner. Tarnish was removed by buffing gently with a
soft lintfree cloth. The enamel badge required no conservation.
The photograph showed that the mantle was intended
to be worn over a uniform or other clothing. The mannequin was padded
with polyester wadding to give it the necessary bulk, and to help
the mantle to hang properly. The mannequin, with mantle and star,
was placed in a suitable display case. The height of the mannequin
was adjusted so that the front hem of the mantle did not touch the
floor, and acid free tissue paper was put under the train to prevent
direct contact with the floor. The folds of fabric were given a
final adjustment to display the regalia to its best advantage. The
levels of visible and ultra violet light, temperature and humidity
were maintained to museum standards.
Madeleine McAllister
There are a number of items relating to the Order of St Patrick
held in other museums and institutions in Ireland:
National Museum and Galleries of Northern
Ireland Ulster Museum
In storage two Order of St Patrick mantles worn by
the Earl of Shaftesbury (invested 1911 ) and Lord Londonderry as
Grand Master (1886-89).
Most of the following items relating to the Order are on display
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Two collars, one unofficial, silver gilt, the other the normal gold.
Two breast stars c 1820, and the other c 1870. A gold knight's badge
Knights' badge with agate cameo, c1860.
Grand Master's badge, worn by Earl Talbot, 1817. Two miniature Grand
Master's badges, one late 19th century, the other 1921. Prelate's
badge, 1817. Miniature Prelate's badge, 1834.
Badge of the Usher of the Black Rod, c1879.
There are also a number of associated items, including a print for
the first installation dinner, statutes and medals for the installations
of 1821 and 1863.
Genealogical Office, Dublin
Mantle and Star are on display, previously the property of the
Earl of Donoughmore. There is also a sword exhibited with the regalia.
Two ivory handled swords crossed beneath a large carved representation
of the Order insignium also on display.
In storage is another mantle in poor condition, owner unknown, and
boxes believed to be those which held the more important pieces
stolen in Sir Arthur Vicar's time. There is also a police poster
offering a reward of £1,000 for information leading to their
recovery.
National Gallery, Dublin
Diamond Star of the Order formerly owned by the sixth Earl of
Milltown.
National Museum of Ireland, Dublin
Robes of Luke Gerald Dillon, 4th Baron Clonbrock created the
122nd Knight of the Order on 29 August 1900.
The mantle, hood and cord were in their original tin box with the
name 'Robinson & Steele, Military Tailors to His Excellency
the Lord Lieutenant, 11 Dawson St, Dublin'.
St Patrick's Cathedral, Dublin
Stall Plates and banners.
Noreen Cunningham is Curator of Newry and
Mourne Museum and Madeleine McAllister is Assistant Keeper of Collections
at Down County Museum.
Acknowledgements
We would like to thank the following people
for contributing information on items that are held in their collections
and relate to the Order of St Patrick: Fergus Gillespie, Deputy Chief
Herald of Ireland, Genealogical Office, Dublin; Mairead Dunlevy, Keeper,
Art & Industrial Division, National Museum of Ireland Dublin;
and in particular Robert Heslip, National Museums and Galleries of
Northern Ireland, (Ulster Museum), Belfast.
Thanks also go to the Northern Ireland Museums Council for partfunding
the conservation work.
Notes
1. |
Regalia donated 21/2/89,
accession number NMM: 1989.
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2. |
Personal Communication
from Richard Needham to Tony Canavan dated llth January 1990.
See J F Small, Newriensis, 7177, for summary of Nicholas Bagenal's
proposed plans for the town of Newry. |
3. |
See J F Small
Newriensis, 71-77 for summary of Nicholas Bagenal's proposed
plans for the town of Newry. |
4. |
Nicholas Bagenal's
residence in Newry, a tower house, also survives in the former
McCann's Bakery premises on Castle Street. |
5. |
See the Family
Tree contained in ~cissitudes of Anglo-Irish Family, 1530-1800
by Philip H Bagenal (1926). |
6. |
Personal Communication
from Mr Richard Needham to Tony Canavan, 11 January 1990. |
7. |
Times obituary
notice, a section of which is enclosed in H A Doubleday and
H de Walden, The Complete Peerage, 264. |
8. |
A list of
the Knights Companions of the Order is contained in Appendix
3 of Peter Galloway's The most Illustrious Order - The Order
of St. Patrick and its Knights. |
9. |
Personal Communication
from Richard Needham to Tony Canavan dated 11 January 1990. |
10. |
See R Needham,
Battling for Peace 239. |
11. |
Newry Reporter
6th April 1989. |
References
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T Canavan, Frontier Town, An Illustrated
History of Newry (1989). H A Doubleday and H de Walden, (ed),
The Complete Peerage, vol VII (1929).
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P Galloway, The Most Illustrious
Order of St Patrick 1783-1983 ( 1983). |
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P Galloway, The Most Illustrious
Order, The Order of St Patrick and its Knights (1999). |
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C Kidd, and D Williamson,
(Ed), Debrett's Peerage and Baronetage (1990). |
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R Needham, 8attling For Peace,
Richard Needham, Northern Ireland's Longest-serving British
Minister (1998).
Newry Museum, Notes of various dates. |
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J F Small, Newriensis, Historical
Sketch of Newry (1875). |
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